diff options
author | clayjohn <claynjohn@gmail.com> | 2022-04-29 15:34:01 -0700 |
---|---|---|
committer | clayjohn <claynjohn@gmail.com> | 2022-05-11 21:00:21 -0700 |
commit | 3bb8e6a9feb22049310ae0111e57113c08d3292c (patch) | |
tree | 9dea569402d9e973ae8b470d09dc049661facab2 /drivers/gles3/shaders | |
parent | 516ec892b43a89ac19dfa608b9d754f630a646cc (diff) |
SkyShaders working
Diffstat (limited to 'drivers/gles3/shaders')
-rw-r--r-- | drivers/gles3/shaders/canvas.glsl | 18 | ||||
-rw-r--r-- | drivers/gles3/shaders/sky.glsl | 59 | ||||
-rw-r--r-- | drivers/gles3/shaders/tonemap_inc.glsl | 117 |
3 files changed, 161 insertions, 33 deletions
diff --git a/drivers/gles3/shaders/canvas.glsl b/drivers/gles3/shaders/canvas.glsl index 41d308b776..f121679833 100644 --- a/drivers/gles3/shaders/canvas.glsl +++ b/drivers/gles3/shaders/canvas.glsl @@ -21,6 +21,15 @@ layout(location = 10) in uvec4 bone_attrib; layout(location = 11) in vec4 weight_attrib; #endif + +// This needs to be outside clang-format so the ubo comment is in the right place +#ifdef MATERIAL_UNIFORMS_USED +layout(std140) uniform MaterialUniforms{ //ubo:4 + +#MATERIAL_UNIFORMS + +}; +#endif /* clang-format on */ #include "canvas_uniforms_inc.glsl" #include "stdlib_inc.glsl" @@ -38,15 +47,6 @@ out vec2 pixel_size_interp; #endif -#ifdef MATERIAL_UNIFORMS_USED -layout(std140) uniform MaterialUniforms{ -//ubo:4 - -#MATERIAL_UNIFORMS - -}; -#endif - #GLOBALS void main() { diff --git a/drivers/gles3/shaders/sky.glsl b/drivers/gles3/shaders/sky.glsl index 0faa3eb70c..a8e5daafa1 100644 --- a/drivers/gles3/shaders/sky.glsl +++ b/drivers/gles3/shaders/sky.glsl @@ -26,9 +26,9 @@ out vec2 uv_interp; void main() { // One big triangle to cover the whole screen - vec2 base_arr[3] = vec2[](vec2(-1.0, -2.0), vec2(-1.0, 2.0), vec2(2.0, 2.0)); + vec2 base_arr[3] = vec2[](vec2(-1.0, -1.0), vec2(-1.0, 3.0), vec2(3.0, -1.0)); uv_interp = base_arr[gl_VertexID]; - gl_Position = vec4(uv_interp, 1.0, 1.0); + gl_Position = vec4(uv_interp, 0.0, 1.0); } /* clang-format off */ @@ -50,6 +50,8 @@ precision mediump int; #endif #endif +#include "tonemap_inc.glsl" + in vec2 uv_interp; /* clang-format on */ @@ -63,12 +65,7 @@ uniform sampler2D half_res; //texunit:-2 uniform sampler2D quarter_res; //texunit:-3 #endif -layout(std140) uniform CanvasData { //ubo:0 - mat3 orientation; - vec4 projection; - vec4 position_multiplier; - float time; - float luminance_multiplier; +layout(std140) uniform SceneData { //ubo:0 float pad1; float pad2; }; @@ -88,15 +85,16 @@ layout(std140) uniform DirectionalLights { //ubo:2 } directional_lights; +/* clang-format off */ + #ifdef MATERIAL_UNIFORMS_USED -layout(std140) uniform MaterialUniforms{ -//ubo:3 +layout(std140) uniform MaterialUniforms{ //ubo:3 #MATERIAL_UNIFORMS -} material; +}; #endif - +/* clang-format on */ #GLOBALS #ifdef USE_CUBEMAP_PASS @@ -117,6 +115,12 @@ layout(std140) uniform MaterialUniforms{ #define AT_QUARTER_RES_PASS false #endif +// mat4 is a waste of space, but we don't have an easy way to set a mat3 uniform for now +uniform mat4 orientation; +uniform vec4 projection; +uniform vec3 position; +uniform float time; + layout(location = 0) out vec4 frag_color; void main() { @@ -128,7 +132,7 @@ void main() { cube_normal.z = -cube_normal.z; cube_normal = normalize(cube_normal); - vec2 uv = uv_interp * 0.5 + 0.5; + vec2 uv = gl_FragCoord.xy; // uv_interp * 0.5 + 0.5; vec2 panorama_coords = vec2(atan(cube_normal.x, cube_normal.z), acos(cube_normal.y)); @@ -148,17 +152,17 @@ void main() { vec3 inverted_cube_normal = cube_normal; inverted_cube_normal.z *= -1.0; #ifdef USES_HALF_RES_COLOR - half_res_color = texture(samplerCube(half_res, material_samplers[SAMPLER_LINEAR_WITH_MIPMAPS_CLAMP]), inverted_cube_normal) * luminance_multiplier; + half_res_color = texture(samplerCube(half_res, material_samplers[SAMPLER_LINEAR_WITH_MIPMAPS_CLAMP]), inverted_cube_normal); #endif #ifdef USES_QUARTER_RES_COLOR - quarter_res_color = texture(samplerCube(quarter_res, material_samplers[SAMPLER_LINEAR_WITH_MIPMAPS_CLAMP]), inverted_cube_normal) * luminance_multiplier; + quarter_res_color = texture(samplerCube(quarter_res, material_samplers[SAMPLER_LINEAR_WITH_MIPMAPS_CLAMP]), inverted_cube_normal); #endif #else #ifdef USES_HALF_RES_COLOR - half_res_color = textureLod(sampler2D(half_res, material_samplers[SAMPLER_LINEAR_CLAMP]), uv, 0.0) * luminance_multiplier; + half_res_color = textureLod(sampler2D(half_res, material_samplers[SAMPLER_LINEAR_CLAMP]), uv, 0.0); #endif #ifdef USES_QUARTER_RES_COLOR - quarter_res_color = textureLod(sampler2D(quarter_res, material_samplers[SAMPLER_LINEAR_CLAMP]), uv, 0.0) * luminance_multiplier; + quarter_res_color = textureLod(sampler2D(quarter_res, material_samplers[SAMPLER_LINEAR_CLAMP]), uv, 0.0); #endif #endif @@ -168,12 +172,19 @@ void main() { } - frag_color.rgb = color * position_multiplier.w / luminance_multiplier; - frag_color.a = alpha; + // Tonemap before writing as we are writing to an sRGB framebuffer + color *= exposure; + color = apply_tonemapping(color, white); + color = linear_to_srgb(color); - // Blending is disabled for Sky, so alpha doesn't blend - // alpha is used for subsurface scattering so make sure it doesn't get applied to Sky - if (!AT_CUBEMAP_PASS && !AT_HALF_RES_PASS && !AT_QUARTER_RES_PASS) { - frag_color.a = 0.0; - } +#ifdef USE_BCS + color = apply_bcs(color, bcs); +#endif + +#ifdef USE_COLOR_CORRECTION + color = apply_color_correction(color, color_correction); +#endif + + frag_color.rgb = color; + frag_color.a = alpha; } diff --git a/drivers/gles3/shaders/tonemap_inc.glsl b/drivers/gles3/shaders/tonemap_inc.glsl new file mode 100644 index 0000000000..b993f5d97b --- /dev/null +++ b/drivers/gles3/shaders/tonemap_inc.glsl @@ -0,0 +1,117 @@ +#ifdef USE_BCS +uniform vec3 bcs; +#endif + +#ifdef USE_COLOR_CORRECTION +#ifdef USE_1D_LUT +uniform sampler2D source_color_correction; //texunit:-1 +#else +uniform sampler3D source_color_correction; //texunit:-1 +#endif +#endif + +// These could be grouped into some form of SceneData UBO along with time, will have to test performance though +uniform int tonemapper; +uniform float exposure; +uniform float white; + +vec3 apply_bcs(vec3 color, vec3 bcs) { + color = mix(vec3(0.0), color, bcs.x); + color = mix(vec3(0.5), color, bcs.y); + color = mix(vec3(dot(vec3(1.0), color) * 0.33333), color, bcs.z); + + return color; +} +#ifdef USE_COLOR_CORRECTION +#ifdef USE_1D_LUT +vec3 apply_color_correction(vec3 color) { + color.r = texture(source_color_correction, vec2(color.r, 0.0f)).r; + color.g = texture(source_color_correction, vec2(color.g, 0.0f)).g; + color.b = texture(source_color_correction, vec2(color.b, 0.0f)).b; + return color; +} +#else +vec3 apply_color_correction(vec3 color) { + return textureLod(source_color_correction, color, 0.0).rgb; +} +#endif +#endif + +vec3 tonemap_filmic(vec3 color, float p_white) { + // exposure bias: input scale (color *= bias, white *= bias) to make the brightness consistent with other tonemappers + // also useful to scale the input to the range that the tonemapper is designed for (some require very high input values) + // has no effect on the curve's general shape or visual properties + const float exposure_bias = 2.0f; + const float A = 0.22f * exposure_bias * exposure_bias; // bias baked into constants for performance + const float B = 0.30f * exposure_bias; + const float C = 0.10f; + const float D = 0.20f; + const float E = 0.01f; + const float F = 0.30f; + + vec3 color_tonemapped = ((color * (A * color + C * B) + D * E) / (color * (A * color + B) + D * F)) - E / F; + float p_white_tonemapped = ((p_white * (A * p_white + C * B) + D * E) / (p_white * (A * p_white + B) + D * F)) - E / F; + + return color_tonemapped / p_white_tonemapped; +} + +// Adapted from https://github.com/TheRealMJP/BakingLab/blob/master/BakingLab/ACES.hlsl +// (MIT License). +vec3 tonemap_aces(vec3 color, float p_white) { + const float exposure_bias = 1.8f; + const float A = 0.0245786f; + const float B = 0.000090537f; + const float C = 0.983729f; + const float D = 0.432951f; + const float E = 0.238081f; + + // Exposure bias baked into transform to save shader instructions. Equivalent to `color *= exposure_bias` + const mat3 rgb_to_rrt = mat3( + vec3(0.59719f * exposure_bias, 0.35458f * exposure_bias, 0.04823f * exposure_bias), + vec3(0.07600f * exposure_bias, 0.90834f * exposure_bias, 0.01566f * exposure_bias), + vec3(0.02840f * exposure_bias, 0.13383f * exposure_bias, 0.83777f * exposure_bias)); + + const mat3 odt_to_rgb = mat3( + vec3(1.60475f, -0.53108f, -0.07367f), + vec3(-0.10208f, 1.10813f, -0.00605f), + vec3(-0.00327f, -0.07276f, 1.07602f)); + + color *= rgb_to_rrt; + vec3 color_tonemapped = (color * (color + A) - B) / (color * (C * color + D) + E); + color_tonemapped *= odt_to_rgb; + + p_white *= exposure_bias; + float p_white_tonemapped = (p_white * (p_white + A) - B) / (p_white * (C * p_white + D) + E); + + return color_tonemapped / p_white_tonemapped; +} + +vec3 tonemap_reinhard(vec3 color, float p_white) { + return (p_white * color + color) / (color * p_white + p_white); +} + +vec3 linear_to_srgb(vec3 color) { + //if going to srgb, clamp from 0 to 1. + color = clamp(color, vec3(0.0), vec3(1.0)); + const vec3 a = vec3(0.055f); + return mix((vec3(1.0f) + a) * pow(color.rgb, vec3(1.0f / 2.4f)) - a, 12.92f * color.rgb, lessThan(color.rgb, vec3(0.0031308f))); +} + +#define TONEMAPPER_LINEAR 0 +#define TONEMAPPER_REINHARD 1 +#define TONEMAPPER_FILMIC 2 +#define TONEMAPPER_ACES 3 + +vec3 apply_tonemapping(vec3 color, float p_white) { // inputs are LINEAR, always outputs clamped [0;1] color + // Ensure color values passed to tonemappers are positive. + // They can be negative in the case of negative lights, which leads to undesired behavior. + if (tonemapper == TONEMAPPER_LINEAR) { + return color; + } else if (tonemapper == TONEMAPPER_REINHARD) { + return tonemap_reinhard(max(vec3(0.0f), color), p_white); + } else if (tonemapper == TONEMAPPER_FILMIC) { + return tonemap_filmic(max(vec3(0.0f), color), p_white); + } else { // TONEMAPPER_ACES + return tonemap_aces(max(vec3(0.0f), color), p_white); + } +} |